Date of Award

7-7-2020

Publication Type

Master Thesis

Degree Name

M.A.

Department

English Language, Literature, and Creative Writing

First Advisor

Richard Douglass-Chin

Keywords

Cultural Capital, Diversity, Marginalization, Race, Visible Minority, Whiteness

Rights

info:eu-repo/semantics/embargoedAccess

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

Abstract

Since the Multiculturalism Act of 1971, Canadian literature has resounded with the voices of racially and ethnically marginalized Canadians striving to contribute their own stories and experiences in a country that prides itself on its inclusivity. It is problematic then, when novels that are a part of the Canadian canon or contribute to Canadian cultural capital in some way, offer a narrative that allows integration only to white males. In Michael Ondaatje’s In the Skin of a Lion and Vincent Lam’s Bloodletting and Miraculous Cures, the narratives suggest that whiteness leads to success. Visible minorities in Lam’s novel are forced to assimilate to find success. Ondaatje deals with immigration but explores only the issues white immigrants face. He writes an immigrant success story, troubling in its premise that the only way an immigrant can successfully integrate is through their own merit. In Obasan, Joy Kogawa critiques this “truth” as she explores the ways in which visible minorities are constantly othered. Kogawa writes of the reality of the Japanese internment during World War II in Canada, and so, she depicts the injustices the Canadian government inflicted on its own citizens. André Alexis’s Fifteen Dogs is an apologue where he clearly deals with universal issues such as the perils of human consciousness, but the novel is also about race, even though Alexis never addresses this directly. Alexis is subtle in his critique of whiteness, and so, Alexis and Kogawa both critique the reality faced by non-whites in Canada. All four novels contribute to Canadian cultural capital and thus help form Canadian identity. The issues these novels either criticize or unproblematically present all point to the still-thorny dilemma of Canadian identity; is this identity based primarily on an individual’s whiteness?

Available for download on Wednesday, July 07, 2021

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