Submissions from 2024
Allusive Stanza Ten of Dylan Thomas’s ‘Poem on His Birthday’, Thomas Dilworth
‘Amazing’, ‘Forsaken’: Allusive Meanings in Auden’s ‘Musée des Beaux Arts’, Thomas Dilworth
Civilization and Culture: Imagery in Williams’ ‘The Red Wheelbarrow’, Thomas Dilworth
Death and Pleasure in Wallace Stevens’ ‘The Emperor of Ice-Cream', Thomas Dilworth
Hell and Unhappiness in Larkins’s ‘High Windows’, Thomas Dilworth
‘Jesus, me’: ‘Suggestive Apposition in Cowper’s ‘Lines Written During a Period of Insanity’, Thomas Dilworth
McLuhan as Medium, Thomas Dilworth
Rhetorical and Symbolic Form in Hopkins’s ‘To What Serves Mortal Beauty’, Thomas Dilworth
The Hidden Date in Yeats’s ‘Easter 1916’, Thomas Dilworth
Submissions from 2023
Genre, Motifs, and the Failure of Hellenism in Jacob's Room, Thomas Dilworth
Named Places in Lear’s Limericks, Thomas Dilworth
Evolution, Two Darwins, and the Gestalt Imagining of Edward Lear, Thomas Dilworth and Michael Crawford
Submissions from 2022
Conrad's Secret Sharer at the Gate of Hell, Thomas Dilworth
The Fall of Troy and the Slaughter of the Suitors: Ultimate Symbolic Correspondence in the Odysssey, Thomas Dilworth
Submissions from 2020
Comics and Public History: The True Story of the 1934 Chatham Coloured All-Stars, Dale Jacobs and Heidi LM Jacobs
Submissions from 2019
Truman Capote’s “MR. JONES” and THE SCARLET PIMPERNEL, Thomas Dilworth
Submissions from 2018
David Jones and the Chelsea Group, Thomas Dilworth
Submissions from 2017
The “Black Mass” in Joseph Conrad's THE SECRET SHARER, Thomas Dilworth
Introduction, Katherine Quinsey
'Little lives in air': Animal sentience and sensibility in Pope, Katherine Quinsey
Submissions from 2016
Tom Wolfe’s Electric Kool-Aid Acid Test as Bergsonian Satire, Andre Narbonne
Submissions from 2015
Beauty and truth: The shakespearean proto-text for Keats's "Grecian Urn", Thomas Dilworth
Submissions from 2014
'There are no rules. And here they are": Scott McCloud's Making Comics as a Multimodal Rhetoric, Dale Jacobs
Carlylean Sentiment and the Platonic Triad in Anne of Green Gables, Andre Narbonne
Lucy Maud Montgomery and Stephen Leacock's Shared Canadian Figure, Andre Narbonne
Submissions from 2013
Dominoes and the grand piano in Joseph Conrad's heart of darkness, Thomas Dilworth
Erotic Dream to Nightmare: Ominous Problems and Subliminal Suggestion in Orwell's Nineteen Eighty-four, Thomas Dilworth
Two black hens in Joseph Conrad's heart of darkness, Thomas Dilworth and Joseph Labine
Review of Roberts, Gillian, Prizing Literature: Celebration and Circulation of National Culture, Andre Narbonne
Submissions from 2012
Ironies in truman Capote's MR. JONES, Thomas Dilworth
Difficult Articulations: Comics Autobiography, Trauma, and Disability, Dale Jacobs and Jay Dolmage
An Aesthetic of Companionship:The Champlain Myth inEarly Canadian Literature, Andre Narbonne
Submissions from 2011
Don Harron, Andre Narbonne
Lucy Maud Montgomery, Andre Narbonne
Thomas Carlyle's Inverse Sublime and Early Canadian Humor, Andre Narbonne
Submissions from 2010
Death and pleasure in stevens' "the emperor of ice-cream", Thomas Dilworth
The passion of Gatsby: Evocation of jesus in fitzgerald's the Great Gatsby, Thomas Dilworth
Writing New York: Using Google Maps as a Platform for Electronic Portfolios, Dale Jacobs, Janine Morris, and Hollie Adams
Submissions from 2009
The hidden date in yeats's Easter 1916, Thomas Dilworth
Transforming the One-Shot Library Session into Pedagogical Collaboration: Information Literacy and the English Composition Classroom., Dale Jacobs and Heidi Jacobs
Word, I, and Other in Margaret Avison's Poetry, Katherine Quinsey
Submissions from 2008
Antonin Artaud and the madman in Beckett's Endgame, Thomas Dilworth and Mike Goodwin
Gertrude stein in fitzgerald’s the great gatsby, Tom Dilworth
Multimodal Constructions of Self: Autobiographical Comics and the Case of Joe Matt's Peepshow, Dale Jacobs
The Audacity of Hospitality, Dale Jacobs
Submissions from 2007
Parallel light shows in Coleridge's the rime of the ancient mariner, Thomas Dilworth
Symbolic spatial form in the Rime Of The Ancient Mariner and the problem of God, Thomas Dilworth
Keats’s on sitting down to read king lear once again, Thomas Dilworth and Betsy Keating
The nietzschean madman in beckett’s endgame, Thomas Dilworth and Christopher Langlois
Beyond Visual Rhetoric: Multimodal Rhetoric and Newspaper Comic Strips, Dale Jacobs
Marveling at The Man Called Nova: Comics as Multimodal Sponsors of Literacy, Dale Jacobs
More than Words: Comics as a Means of Teaching Multiple Literacies, Dale Jacobs
Nature, Gender, and Genre in Anne Finch's Poetry: 'A Nocturnal Reverie', Katherine Quinsey
Satire, and Providence, and Pope, Katherine Quinsey
Submissions from 2006
Keats’s to autumn, Thomas Dilworth
Engagement, Integration, Collaboration: Composition at the University of Windsor, Dale Jacobs and Jay Dolmage
Margaret Avison, Katherine Quinsey
'No Christians Thirst for Gold!': Religion and Colonialism in Pope, Katherine Quinsey
'Our Own Little Rollicking Orb': Divinity, Ecology, and Otherness in Avison, Katherine Quinsey
Submissions from 2005
What's Hope Got to Do With It?: Theorizing Hope in Education, Dale Jacobs
Submissions from 2004
"Unicorn evils" and ineffectuality in Dylan Thomas's "And Death Shall Have No Dominion", Thomas Dilworth
Mcluhan as medium, Tom Dilworth
Where Can I Get a Camera?: Documentary Film, Visual Rhetoric, and the Teaching of Writing, Dale Jacobs
Dualities of the Divine in Pope's Essay on Man and The Dunciad, Katherine Quinsey
Submissions from 2003
Colossal influences on Sylvia Plath, Thomas Dilworth
The Anathemata and the Roman Martyrology, Thomas Dilworth
Submissions from 2002
Cortez in Keats's On First Looking Into Chapman's Homer or when is a mistake not a mistake?, Thomas Dilworth
Eliot's the waste land, Thomas Dilworth
Larkin's high windows, Thomas Dilworth
Submissions from 2001
Being There: Negotiating Emotional Space in the Classroom, Dale Jacobs
Submissions from 1999
Frost's directive, Thomas Dilworth
Submissions from 1997
Conrad's The Secret Sharer, Thomas Dilworth
Beginning Where They are: A Re-vision of Critical Pedagogy, Dale Jacobs
Genre in Writing Workshops: Identity Negotiation and Student-Centered Writing, Dale Jacobs and Robert Brooke
Submissions from 1996
Cummings's 1(a, Thomas Dilworth
Almahide Still Lives: Feminine Will and Identity in Dryden's Conquest of Granada, Katherine Quinsey
Submissions from 1995
Cummings’s buffalo bill’s, Thomas Dilworth
Cummingss old age sticks, Thomas Dilworth
Religio Laici? Dryden's Men of Wit and the Printed Word, Katherine Quinsey
Submissions from 1994
Society and the self in the limericks of lear, Thomas Dilworth
Submissions from 1993
Edward Sherburne (18 September 1616 - 4 November 1702), Katherine Quinsey
Submissions from 1992
Sign-post painting: poetry and polemic in Dryden's The Medal, Katherine Quinsey
Submissions from 1990
Hopkins’s to what serves mortal beauty, Thomas Dilworth
Submissions from 1989
The dissolving jail-break in Margaret Avison, Katherine Quinsey
Submissions from 1987
The city at the centre of The Anathemata, Thomas Dilworth
Submissions from 1985
Hopkins’ the starlight night, Thomas Dilworth
Wordsworth and lewis carroll in patrick kavanagh's the great hunger, Thomas Dilworth
Submissions from 1982
Thomas’ poem on his birthday, Thomas Dilworth