Submissions from 2022
Conrad's Secret Sharer at the Gate of Hell, Thomas Dilworth
The Fall of Troy and the Slaughter of the Suitors: Ultimate Symbolic Correspondence in the Odysssey, Thomas Dilworth
Submissions from 2020
Comics and Public History: The True Story of the 1934 Chatham Coloured All-Stars, Dale Jacobs and Heidi LM Jacobs
Submissions from 2017
Introduction, Katherine Quinsey
'Little lives in air': Animal sentience and sensibility in Pope, Katherine Quinsey
Submissions from 2016
Tom Wolfe’s Electric Kool-Aid Acid Test as Bergsonian Satire, Andre Narbonne
Submissions from 2015
Submissions from 2014
'There are no rules. And here they are": Scott McCloud's Making Comics as a Multimodal Rhetoric, Dale Jacobs
Carlylean Sentiment and the Platonic Triad in Anne of Green Gables, Andre Narbonne
Lucy Maud Montgomery and Stephen Leacock's Shared Canadian Figure, Andre Narbonne
Submissions from 2013
Erotic Dream to Nightmare: Ominous Problems and Subliminal Suggestion in Orwell's Nineteen Eighty-four, Thomas Dilworth
Review of Roberts, Gillian, Prizing Literature: Celebration and Circulation of National Culture, Andre Narbonne
Submissions from 2012
Difficult Articulations: Comics Autobiography, Trauma, and Disability, Dale Jacobs and Jay Dolmage
An Aesthetic of Companionship:The Champlain Myth inEarly Canadian Literature, Andre Narbonne
Submissions from 2011
Don Harron, Andre Narbonne
Lucy Maud Montgomery, Andre Narbonne
Thomas Carlyle's Inverse Sublime and Early Canadian Humor, Andre Narbonne
Submissions from 2010
Writing New York: Using Google Maps as a Platform for Electronic Portfolios, Dale Jacobs, Janine Morris, and Hollie Adams
Submissions from 2009
Transforming the One-Shot Library Session into Pedagogical Collaboration: Information Literacy and the English Composition Classroom., Dale Jacobs and Heidi Jacobs
Word, I, and Other in Margaret Avison's Poetry, Katherine Quinsey
Submissions from 2008
Multimodal Constructions of Self: Autobiographical Comics and the Case of Joe Matt's Peepshow, Dale Jacobs
The Audacity of Hospitality, Dale Jacobs
Submissions from 2007
Symbolic spatial form in the Rime Of The Ancient Mariner and the problem of God, Thomas Dilworth
Beyond Visual Rhetoric: Multimodal Rhetoric and Newspaper Comic Strips, Dale Jacobs
Marveling at The Man Called Nova: Comics as Multimodal Sponsors of Literacy, Dale Jacobs
More than Words: Comics as a Means of Teaching Multiple Literacies, Dale Jacobs
Nature, Gender, and Genre in Anne Finch's Poetry: 'A Nocturnal Reverie', Katherine Quinsey
Satire, and Providence, and Pope, Katherine Quinsey
Submissions from 2006
Engagement, Integration, Collaboration: Composition at the University of Windsor, Dale Jacobs and Jay Dolmage
Margaret Avison, Katherine Quinsey
'No Christians Thirst for Gold!': Religion and Colonialism in Pope, Katherine Quinsey
'Our Own Little Rollicking Orb': Divinity, Ecology, and Otherness in Avison, Katherine Quinsey
Submissions from 2005
What's Hope Got to Do With It?: Theorizing Hope in Education, Dale Jacobs
Submissions from 2004
Where Can I Get a Camera?: Documentary Film, Visual Rhetoric, and the Teaching of Writing, Dale Jacobs
Dualities of the Divine in Pope's Essay on Man and The Dunciad, Katherine Quinsey
Submissions from 2001
Being There: Negotiating Emotional Space in the Classroom, Dale Jacobs
Submissions from 1997
Beginning Where They are: A Re-vision of Critical Pedagogy, Dale Jacobs
Genre in Writing Workshops: Identity Negotiation and Student-Centered Writing, Dale Jacobs and Robert Brooke
Submissions from 1996
Almahide Still Lives: Feminine Will and Identity in Dryden's Conquest of Granada, Katherine Quinsey
Submissions from 1995
Religio Laici? Dryden's Men of Wit and the Printed Word, Katherine Quinsey
Submissions from 1993
Edward Sherburne (18 September 1616 - 4 November 1702), Katherine Quinsey
Submissions from 1992
Sign-post painting: poetry and polemic in Dryden's The Medal, Katherine Quinsey
Submissions from 1989
The dissolving jail-break in Margaret Avison, Katherine Quinsey